the twit

    Showing posts with label poempost. Show all posts
    Showing posts with label poempost. Show all posts

    2.22.2009

    poempost: another from the hermitage

    cabin: afternoon

    the drunk wasps--they
    come from under the wall.

    the farthest they make
    it is the screened windows,
    my chair, the light

    in the kitchen. i kill them
    with my shoe or magazine

    and sweep them under
    the wall, where they are
    reborn. air in the ice

    in the bourbon whistles;
    it either rains or snows.

    2.16.2009

    poempost: two from a january hermitage

    1. highway seven

    In the hills, a mountain
    fog: each house consumed
    despite all anxious light,
    and ghosts too soon.

    The car ensures the road
    beneath—a drive both dream
    and ritual: exit right,
    three lights, twenty-seven

    miles before the turn.
    The last match crumbles
    cold against the box—its
    smoke would last forever.

    Between rains, some dogs
    beside the road: a cloud
    of orphans—delinquent notice
    to feed the withering gods.

    2. the death of the impatient tree
    or: a seasonal poem
    or: a poem written in the voice of a seventh-grade literature textbook

    The death of the impatient tree,
    who thought each sun was spring,
    the forest all considered strange—
    though hardly a surprise.

    “He trembled,” said the oak,
    “for every landing bird.
    As if each winter rest would bring
    an hour more of sun.”

    “And hoped in every leaping fish,”
    returned the nearest pine,
    “an oracle of thaw, so thirst
    more than ice would give.”

    “So fully did each season love,”
    joined his mistress birch,
    “that hardly could he sleep,
    nor hardly wake, in such

    “Uncertain times as winter fades
    to spring. We could sit
    more calm in ambiguity;
    an early bloom, a late

    snow were such a mystery
    that hardly do I doubt
    he worried through more vital truths
    than any our roots could tell.”

    Throughout the spring, as Nature’s hand
    distributed their friend,
    each considered quietly
    and with different claim:

    whether the impatient tree
    had rings so tightly wound
    as to approach infinity,
    or whether he had none.

    1.08.2009

    poempost: untitled night poem

    it is the cuyahoga snow.

    it is a whippoorwill--
    it is ten whippoorwills.

    it is a ranch house bay window,
    barely divulged.

    12.20.2008

    poempost: some dogs (fragment)

    between rains, some dogs
    beside the road: a cloud of orphans--
    delinquent notice to feed
    the withering gods.

    11.24.2008

    poempost: a quarter dilemma (fragment)

    i am done with vision;
    time to stand by this pond
    and let a branch reach
    out of the water and point:

    across many waves,
    at many leaves.

    10.21.2008

    photopost: new england wandering

    part 1: stang's wedding

    a rare collection of odd & beautiful creatures; loves that i had forgotten. pictures before and after the ceremony/reception, which is a debaucherous blur.




    i have fragments for a lake placid poem, but they're not coming together. strangely, i can't get over the image of these particular railings on the roadside during the drive up and back.
    these roads have beautiful hips:
    ochroid railings, low and sturdy;
    nothing like the floppy-eared,
    directionless steel i'm used to--
    punctuated with concrete blocks
    and Midwestern cities. no, to be
    a runner in these hills must require
    a conversation with this railing,
    appearing and disappearing quietly,
    modestly hugging you away from
    the adirondacks, their hoary birches
    and vagrant ponds insatiable.
    and so on.

    10.08.2008

    poempost: the universe brought me a martini

    the universe brought me
    a martini--

    rainwater, ozone,
    pieces of leaf, something
    fuzzy--

    grace in a glass
    forgotten.

    5.08.2008

    paranoid/lovesick: found poems 1-4

    a mixtape and companion poems generated by different methods of extraction.




    found poem 1

    1.

    not sure
    if you mind
    if I dance with you

    2.

    now I’m watching
    the moon

    I’m watching
    all turn

    electric lights
    I think I’m falling

    for you



    3.

    you were out of my league
    at a distance that I didn’t want to see

    I still believed in the phrases that we breathed
    but I know the distance isn’t fair to cross

    at a distance that I didn’t want to see
    I wanted you nearer

    I love the place where we shared our tiny grace
    but just because it’s real don’t mean it’s gonna work



    4.

    it’s a secret
    I’ve been keeping from you

    it’s a secret
    I’ve been keeping for you



    5.

    tell me that

    the temperature is rising
    in your head

    tell me that
    love is not to be

    **

    this way
    the reason why I’m trying
    to make it

    alright trying
    to drive through
    girl wish it

    **

    tonight don’t you expect to
    make a phone call

    tonight treat me
    like a motherfucker
    who was right

    **

    take me to your bed
    and show me some trees



    6.

    then she’s gone and my friends can come along
    and it’s never strange just how long she stays



    7.

    I like the way you hold
    your head

    let me stay here
    for a week on your couch

    but I would rather
    sleep in your bed or

    even better yet we could
    run away
    and never rest

    your mind is filled
    with fantasies

    you give me
    your insanity



    8.

    so tell me why didn’t I leave
    four hours ago at least
    I’ve seen your glare

    down county road 8
    salty lips and whirred fans
    shine on

    catfish angel
    you know they can’t
    hurt me like you do



    9.

    I have your good clothes in the car
    I have your dreams and your teeth marks

    I don’t have any questions
    you were right about the end

    you must have known I’d do this someday



    10.

    fluids of a summer night
    a delicate blend of sweat

    take my lip between your teeth
    fingers underneath
    stains and scars I can’t explain



    11.

    I don’t want to be your friend
    I just want to be a part of you



    12.

    you know I went home
    last night sat down on my bed
    and cried

    **

    I woke up to find it
    nothing but a dream
    that’s why I sing
    this lonesome song



    13.

    tell me
    you don’t want me anymore
    time don’t matter anymore

    if you want to fight
    just bring it on
    and if the glass will shatter
    it’s deeper when you fall



    14.

    a young man came by
    with a beard on his cheek
    and a gleam in his eye



    15.

    I sailed a wild wild sea
    beneath a weeping willow tree
    afraid to do the things
    that I knew I had to do



    16.

    anyone can see
    I’m in love with
    how you feel



    17.

    the sound of the spectacle
    everything we ever said

    we like to get our kicks
    in this way sometimes

    you tell me



    found poem 2


    1.

    dancing like heroes would,
    it’s sad that you think we were all passion;

    it don’t think it’s all flailing limbs, twisted dispatches—

    it’s you,
    it’s me.



    2.

    the universe is everything,
    I always thought

    now I’m considering watching
    the trains, and the clouds--

    I didn’t have to be all ashamed;
    it’s the universe.



    3.

    I was and you were the sea.

    Down to the bottom—bubbles
    and twenty-thousand affections—
    my depths made a pressure,
    and all your fluids the force
    underneath my distance.

    I wanted you nearer,
    and affection floats like a stone:
    so close, so all alone.

    And you were underneath,
    you were nearer.



    4.

    I’ve been
    a secret
    for you.



    5.

    all the little words down
    like a spider through the cracks;

    all the things I thought
    come through a song;

    all the glass will try
    to tell you: nowhere.



    6.

    you’ll never see;
    I’m happier.



    7.

    undeclared: a dream
    stays vanity.



    8.

    wild stars hanging there—
    they know she floats beneath.



    9.

    hair and fingernails
    arms around arms.

    time riots; they
    must have known



    10.

    tongue forced: quoting
    what had been devouring;
    things left unsaid.



    11.

    it is so hard to want
    just a part of you.



    12.

    I can’t know the nightmare
    when you go.



    13.

    I remember, bright-eyed,
    the light fell:

    maybe time don’t matter.




    14.

    dear, take from me; shove and steal—
    brick and barbed wire to beard, cheek, and eye:

    to remember a parting, stiff and sore,
    from nights heard perfectly and time brief.



    15.

    wild and brief, the pieces of light;
    short is the night, and the sun a young fool.

    an escapade sailed beneath some
    questions, lay time as short as song.



    16.

    a shadow swinging in the church,
    the trees rumbling in trying fits:
    Don Quixote is at the bottom of anyone.



    17.

    the spectacle wasn’t everything;
    everything means ourselves, I guess.



    found poem 3


    if there’s one thing that I could never confess
    that will be the end of everything:

    at a distance that I didn’t want to see, I wanted
    you nearer—it’s a secret I’ve been keeping from you.

    I know we’re going to need a lucky one
    that I don’t think I recognize, but

    if I had the chance to hold your hand
    and I’d know you’re hanging there for me—

    out among the missing sons and daughters,
    head awash with what had been.

    I just want to be a part of you; I don’t care
    when you go; I don’t care how long you stay;

    time don’t matter anymore. I’m stiff and
    I’m sore; afraid to do the things that I knew

    I have to do. I will find my nitch in everything
    we ever said, everything we might have done:

    you tell me.



    found poem 4


    Out in every song is the back of my mind: expanding
    out of clouds, confused and electric; falling
    and waving—first at a distance. Nearer, a pressure
    punctures the thirst, because it’s real: of the sea
    of affection underneath a secret, a kind of trickle
    coming through cracks in the sun, through a phone
    call between trees: perfect and lost all night. I wouldn’t
    hold a dream undeclared; at least hanging stars shine
    on, sweet-toothed fans of difference, and everything
    must be forgiven by questions of imperatives, trampled
    impressions of things unsaid—to see a part of it,
    when little shines through. It’s a fight to shatter
    the secret, singing with a smile and barbed wire
    and a beard and a brick—meeting and parting and sore
    from sleeping on suggested time. Distress, though,
    like a wild sea beneath my feet, is brief: pieces of this
    song now lay broken and short, but starry
    pebbles trying to love in shiny fits of everything.

    4.23.2008

    another spring stanza

    tearing up silence;
    throwing ghosts at it--
    arms, breasts,
    the smell of her neck--
    an empty phone.

    3.18.2008

    no cure for the libidinous like a rationale


    a day too long in the sun has reminded
    me there's some coffee in this cream.


    it's warming up quite a bit down here in pastoral oxford, mississippi.


    flowers are there that once weren't there;
    everywhere cars are yellow-green with the landscape's hopeful ejaculate.

    i ran yesterday for 45 minutes at an unnecessary pace.


    from "In Most Species, Faithfulness Is a Fantasy," by natalie angier, in the NYTimes, march 18, 2009:

    It’s been done by many other creatures, tens of thousands of other species, by male and female representatives of every taxonomic twig on the great tree of life. Sexual promiscuity is rampant throughout nature, and true faithfulness a fond fantasy. Oh, there are plenty of animals in which males and females team up to raise young, as we do, that form “pair bonds” of impressive endurance and apparent mutual affection, spending hours reaffirming their partnership by snuggling together like prairie voles or singing hooty, doo-wop love songs like gibbons, or dancing goofily like blue-footed boobies.

    [...]

    Even the “oldest profession”...is old news. Nonhuman beings have been shown to pay for sex, too. Reporting in the journal Animal Behaviour, researchers from Adam Mickiewicz University and the University of South Bohemia described transactions among great grey shrikes, elegant raptorlike birds with silver capes, white bellies and black tails that, like 90 percent of bird species, form pair bonds to breed. A male shrike provisions his mate with so-called nuptial gifts: rodents, lizards, small birds or large insects that he impales on sticks. But when the male shrike hankers after extracurricular sex, he will offer a would-be mistress an even bigger kebab than the ones he gives to his wife — for the richer the offering, the researchers found, the greater the chance that the female will agree to a fly-by-night fling.

    [...]

    Commonplace though adultery may be, and as avidly as animals engage in it when given the opportunity, nobody seems to approve of it in others, and humans are hardly the only species that will rise up in outrage against wantonness real or perceived. Most female baboons have lost half an ear here, a swatch of pelt there, to the jealous fury of their much larger and toothier mates. Among scarab beetles, males and females generally pair up to start a family, jointly gathering dung and rolling and patting it into the rich brood balls in which the female deposits her fertilized eggs. The male may on occasion try to attract an extra female or two — but he does so at his peril. In one experiment with postmatrimonial scarabs, the female beetle was kept tethered in the vicinity of her mate, who quickly seized the opportunity to pheromonally broadcast for fresh faces. Upon being released from bondage, the female dashed over and knocked the male flat on his back. “She’d roll him right into the ball of dung,” Dr. Barash said, “which seemed altogether appropriate.”

    10.04.2007

    a short catching up

    things have been many and stressful lately. transitioning to a new type of being productive, with no imposed ritual, and little guidance. be careful what you wish for when you've got big ideas; at some point someone may say, "ok - here's a salary. get it done." life as a series of short adventures.

    ***

    1. at the grove.

    from "at ole miss, the tailgaters never lose," nytimes:
    The glory of the Grove is legend at all of Ole Miss’s rival schools in the Southeastern Conference and beyond. It is the mother and mistress of outdoor ritual mayhem.

    As Charles R. Frederick Jr., a folklorist at the University of Indiana, characterized it in his dissertation on the Ole Miss tailgating event, the call to “come on out Saturday and look us up” in the Grove is as basic, and born to a spot, as a human bond can get. And it is as deep as the root of a tree.

    It is also as fresh and green as a leaf.

    “I love it,” Molly Aiken, 19, a sophomore at Ole Miss, said on Saturday under a tent, under the trees, a party roar rising and dissipating into the whisper of a warm, humid wind above. “There’s no place like it.”

    Ms. Aiken, who is from Chattanooga, Tenn., said of the University of Tennessee in Knoxville, “I went to U.T. this past weekend, for the U.T.-Florida game, and I was, like, this just doesn’t compare.”

    Ole Miss’s stadium accommodates 60,580 people, and devotees of the Grove argue that the Grove accommodates more. It is every kind of party you can describe, at once: cocktail party, dinner party, tailgate picnic party, fraternity and sorority rush, family reunion, political handgrab, gala and networking party-hearty — what might have inspired Willie Morris, one of Mississippi’s favorite sons, to declare Mississippi not a state, but a club."

    so after two years with the teacher corps, and now a couple of months employed by the university of mississippi through the william winter institute, i figure it's due time that i check out this grove thing. ole miss was playing florida, and as the couz is a floridian, he came over to oxford from marks and at a bar on the square we watched the surprisingly close game. since it was an early afternoon kickoff - 11:30 - the grove was active both pre- and post-, and we wandered to campus afterwards; a family from marks had a tent somewhere in the mess - we were determined to find it and say hello.

    the grove is, of course, an impressive sort of bedlam.

    this sets the scene: a tailgating melee unlike any other in population density, southern flair, and who-are-you-kin-to socializing. the couz and i are following around an older woman from marks as she - dressed up elegantly and with pounds of makeup - makes the rounds. i am wearing t-shirt that says "the jackson branch naacp supports the school bond referendum," with a big naacp seal in the middle (and my membership card in my wallet, to boot). i am - in case you're wondering - white (or more appropriately, half-colombian but not latino-looking at all and claim my upbringing from the caucasian paradise of the suburban midwest). this all becomes very apparent when two ole miss grads (who look the part - khaki shorts, swoosh-over-the-eyebrow bangs, and cheesy sunglasses with that odd "sporty" necklace attachment) are cleary discussing my shirt as the couz and i wait patiently for our escort to catch up with whomever she's run into. of course, i'm not totally surprised that a white guy in the grove wearing an naacp shirt would furrow some brows, but so does dixie (give me all the "heritage, not hate" you want; some heritage is absurd). in any case, a discussion starts, here adapted as best i can remember:
    guy 1: hey.
    me: hey.
    guy 1: are you wearing that t-shirt as a joke?
    me: nope; it's not a joke.
    guy 2: well, i think you're sorry sack of shit.
    me: i'm sorry you feel that way.
    guy 1: man, you've got to get your priorities straight.
    me: my priorities are straight; i taught public high school in jackson for two years - i care about my kids and i care about their education.
    (it continues in this vein for a second)
    guy 2: well, i'm going to have to ask you to leave this tent.
    me: are you kidding?
    guy 2: no; just get the hell out of here.
    me: this is public land, and a public forum. i am an employee of the university, and i certainly have the right to stand here and to wear this shirt.
    guy 2: just fucking leave.
    guy 1: hey man, just walk away.
    (it continues in this vein for a bit. the guys never get out of their seats or raise their voices enough to cause a scene - southern gentlemen that they are.)

    from "at ole miss, the tailgaters never lose," nytimes:

    A boy in white shorts and a polo shirt stepped out onto the Walk of Champions, the brick path where the Rebels would make their ceremonial march through the Grove on their way to the stadium the next day.

    “Are you READY?!” he called to the trees, prompting the Ole Miss cheer.

    “HELLLLL YES! DAAAAMN RIGHT!” the trees yelled back. “Hotty Toddy gosh almighty who in the hell are we? Flim flam bim bam, OLE MISS by damn! WUUUUUUUUUUUUU!”

    who in the hell are we, indeed.

    2. in sumner, ms - the evening before the emmitt till commission's press conference:

    do not forget these strange things
    you take for granted. sleeping in
    the mayor's guest room; a town
    of 400 - he took the job because
    no one wanted to. nearby: a man
    with multiple (not tanks, but) APVs
    goes riding at night in fatigues -
    a pet racoon on his shoulder;
    all the 200 guns in his house
    are loaded - that is very clear
    to his children; an old black woman,
    convinced the white sheriff is out
    to get her because she marched
    in the 60s, had breakfast with
    the kennedys; a brain tumor helps
    know he's near - looking through
    the trailer wall with x-ray vision.
    lights over there are tutweiler
    jail; over there parchman.
    when a family dies - the house
    is empty, the business gone.
    someday these weekend cottages
    will have wonderful histories.

    3. in sumner, ms - the day of the emmitt till commission press conference.

    the injustice of neglect - an explicit violence: in 1955, emmitt till was brutally abused and murdered for allegedly whistling at a white woman. he was 14 years old, from chicago and visiting with family in tallahatchie county. two white men were acquitted of murder by an all-white jury after an hour of discussion. after the till commission (composed of black and white community leaders) read it's formal statement of regret on the steps of the sumner courthouse (where the trial had occurred) - acknowledging that a miscarriage of justice had occurred and calling for truth and reconciliation in the case - one of till's family members remarked, "imagine having to hold your breath for 52 years."

    the injustice of neglect - an implicit violence: in 2007, buses of middle and high school students are unloaded at sumner courthouse. it is a hot day, and the emmitt till commission press conference drags on. there aren't enough chairs for everyone, and the students huddle against empty storefronts. uninterested in what's going on, they begin to talk amongst themselves. teachers are no where in sight. most of the most audible students are black males, huddling around each other in brambles of machismo. many are emmitt's age; i doubt they've been provided adequate context for the historical resonance of the what's going on at the podium, and references to "young people" over the loudspeakers become more and more ironic above the swelling din. i walk over to a group and explain that i can't hear the conference, and get a bundle of sneers, who-the-fuck-does-he-think-he-is looks, and few taunting drugs & violence references. i stand there for a while, and - as i hold my breath - the group disperses: off to find some bottled water, an ice cream cone, some girls.

    9.30.2007

    personal archives

    Under high ceilings (room enough
    for light, space enough for time) a change is
    easily mistaken for ephemera.

    In cornered whispers – principal lies of a bully
    archivist, secrets cloaked as retellings
    of life – no one had expected blood.

    There were always teeth in the kiss, always
    a gripping – as if every room were nearly
    empty. Had I not returned home,

    it would have gone unnoticed – the death
    of the apocryphal. Rather, unclaimed
    footnotes thrust to narrative, in quick weight

    under high ceilings – a history neither
    dead nor vacant; one page naked
    to what fills the next, and nearly empty.

    4.30.2006

    A Children's Masque

    for the Jabberwock at Jackson State, and Kanitria

    On the stage the children sing,
    sliding into groups of two:
    "If we waltz we will be kings."

    No one really says a thing
    against a claim of such dispute
    as on the stage. The children sing

    as we allow; we'd like to cling,
    anyhow, to a corollary truth:
    when we can waltz, we can be kings

    (though the converse surely brings
    more truth, it's much less sweet to chew).
    "On the stage," the children sing

    "History is a trifling thing,
    conceding to our practiced tune:
    if we waltz, we will be kings."

    A lone conviction rings
    first amidst those that accrue
    upon the stage, as our children sing:
    as they waltz, they look like kings.

    6.22.2005

    wednesday is: haiku day

    didn't fall asleep in class today. instead of eating the free candy provided, and suffering the soporific shift of my blood sugar, i wrote...

    the kuzdu haiku

    my forward haiku
    is a backwards haiku, as
    children speak wisely.

    1.

    the other mustangs -
    nothing but these are proper,
    parked next to mustangs.

    2.

    under the color
    fixed to bone of fabric:
    the overly bright.

    3.

    chicken-shit tin can:
    two pigs counting the moon;
    a bedtime story.

    4.

    I'll ride the kudzu
    eating the armadillo -
    maybe wear a suit.