Under high ceilings (room enough
for light, space enough for time) a change is
easily mistaken for ephemera.
In cornered whispers – principal lies of a bully
archivist, secrets cloaked as retellings
of life – no one had expected blood.
There were always teeth in the kiss, always
a gripping – as if every room were nearly
empty. Had I not returned home,
it would have gone unnoticed – the death
of the apocryphal. Rather, unclaimed
footnotes thrust to narrative, in quick weight
under high ceilings – a history neither
dead nor vacant; one page naked
to what fills the next, and nearly empty.
the twit
9.30.2007
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